Here's a copy of what I wrote over on DJI's forums. Just my thoughts.
The X5 does only 1 thing for me. It allows me to capture in lower light. The problems from there are numerous. The image is then compressed down to 60mbps which causes artifacting just like the x3. Which means that I'm going to limit myself to more properly lit situations. The next problem is the color space with 8bit 4:2:0. Giving little latitude for trying to correct/edit the picture out in post.
DJI... if you're listening to your customers here's what your use cases are:
X3: Web, Support, 2nd cam, non-broadcast industry
- This is web only export. Usually used as a camera for real-estate, industrial, government, and small private industries. Also used as a 2nd camera for an X5 1st camera low-end production environment.
- In this environment where the image can be sized down and where color editing needs to be less precise and client expectations are much lower the compression can be greater and chroma sub sampling can be very large.
- 4k, 60mbps, 4:2:0
X5: Web, Broadcast, 1st cam, 2nd cam, semi-broadcast
This is web primarily, semi-broadcast capable. Usually used for storytelling, product showcasing industries. Also used as a 2nd camera for an X5r 1st camera mid-level production environment.
- In this environment where the image often needs to meet higher levels of quality but some minor artifacting can be acceptable less compression is needed and less chroma sub sampling is desired, but limited by the sd card.
- 4k, 100mbps, 4:2:2
X5r: Web, Broadcast, 1st cam, 2nd cam, broadcast
This is web or broadcast ready. Primarily used for cinema/tv/web in storytelling, product showcasing industries. Also used as a 2nd camera in a multi-rotor high-level production environment.
Finally in this environment where the highest qualities must be met the compression needs to be minimal to non-existant and there needs to be no chroma sub sampling. Resulting in imagery that is limited only by the camera and lens.
- 4k, 1.6gbps, 4:4:4
These are your client groups DJI. By creating the X5 as it is currently it rests in a strange no-mans land where you have a nicer camera but poor compression and mediocre chroma sub sampling. As we can see by using the same camera being used in the X5r we simply need an updated codec for the X5 to be in the right price range.
As I said over on the other forum this nails it.