- Joined
- Oct 5, 2015
- Messages
- 16
- Reaction score
- 7
- Age
- 44
I think the Phantom 3 Pro is a steal compared to the Inspire Pro.
I agree, on paper the X5 looks excellent, like a GH4 with a built in gimbal, and in theory it should behave as one. It's why I believe it has been deliberately crippled in order to make the X5R shine.
We just delivered a 6-part doc series to a national network this month, so yea I know the difference between looking at calibrated monitors vs. a TV broadcast. Unfortunately you are absolutely wrong about the state of 'consumer TVs'. People can tell what looks good and what looks like ****, even if they don't realize it, and yea, can tell the difference between graded and ungraded footage even though according to your logic if it's going to TV broadcast why even grade it all at right?
What rubbish!Personally I'm more excited for the X5R just to see how far the RAW and 10-bit video files can be pushed in post. Also a must have for higher end gigs.
What rubbish!
Exactly! Yes it has low light advantages but that's all.agreed total bs
the biggest difference between the 2 cameras is that the x5 shoots better in "low light" but here is the USA we can't do "legal" jobs at night, so ..................
grading came along a few years ago? what are you talking about? davinci was born in 1980! it existed before photoshopConsumers know NOTHING about grading footage and couldn't care less. X3 footage to them will be just fine as will non graded footage that was shot correctly and exposed right in the first place.
How do you think we all managed before grading came along a few years ago?
You're right, they know nothing about it. But they do know the difference between graded and ungraded, that is abundantly obvious. I couldn't even imagine sending out our show ungraded, with different cameras and lighting available, the assembly cuts are actually hard to watch because of the differences in cameras we are cutting together. I guess what you're saying is that all that money we spent on pro grading we may as well have flushed down the toilet right?Consumers know NOTHING about grading footage and couldn't care less. X3 footage to them will be just fine as will non graded footage that was shot correctly and exposed right in the first place.
How do you think we all managed before grading came along a few years ago?
Yup - suppose I will just have to give away the DaVinci Resolve Surface now cos its useless and nobody is going to be able to tell the difference anyway.You're right, they know nothing about it. But they do know the difference between graded and ungraded, that is abundantly obvious. I couldn't even imagine sending out our show ungraded, with different cameras and lighting available, the assembly cuts are actually hard to watch because of the differences in cameras we are cutting together. I guess what you're saying is that all that money we spent on pro grading we may as well have flushed down the toilet right?
I'll bid on it, $5.Yup - suppose I will just have to give away the DaVinci Resolve Surface now cos its useless and nobody is going to be able to tell the difference anyway.
Will stick it on eBay tonight for $0.00
Only if you will take the Flame Suite off my hands as well.... I insist.I'll bid on it, $5.
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