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Some hope for a higher bit rate in the future?

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Lynh Phan posted some photos on Facebook that show the guts of the X5 camera:

Facebook

This one shows the SoC (processor), which is marked "Ambarella A9-A1-RH".

The Ambarella Data Sheet for the A9 SoC doesn't mention bit rates, it but it does say:
Video Encoding
° H.264 codec BP/MP/HP Level 5.1 and MJPEG
° 4K Ultra HD encode performance
° 1080p120, 720p240 modes
On the H.264 Wikipedia page, BP is "Baseline Profile (66)", MP is "Main Profile (77)", and HiP is "High Profile (100)".

But it is the "Level 5.1" that has me hopeful. On the Wikipedia page again, under "Max video bit rate for video coding layer (VC) kbit/s", under level 5.1, it specifies 240,000 for BP and MP, and 300,000 for HP. That's 240 and 300 megabits/second, respectively.

And if we move down to Level 4.2, we find that the max bit rate for HP is 62,500 kbit/s, or about 60 megabits/second, which is what we are getting from the X5 right now.

So my hope is that the X5 camera is currently not asking the Ambarella chip to do all that it can, and that the Ambarella chip can be unleashed in a future upgrade.
 
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Lynh Phan posted some photos on Facebook that show the guts of the X5 camera:

Facebook

This one shows the SoC (processor), which is marked "Ambarella A9-A1-RH".

The Ambarella Data Sheet for the A9 SoC doesn't mention bit rates, it but it does say:

On the H.264 Wikipedia page, BP is "Baseline Profile (66)", MP is "Main Profile (77)", and HiP is "High Profile (100)".

But it is the "Level 5.1" that has me hopeful. On the Wikipedia page again, under "Max video bit rate for video coding layer (VC) kbit/s", under level 5.1, it specifies 240,000 for BP and MP, and 300,000 for HP. That's 240 and 300 megabits/second, respectively.

And if we move down to Level 4.2, we find that the max bit rate for HP is 62,500 kbit/s, or about 60 megabits/second, which is what we are getting from the X5 right now.

So my hope is that the X5 camera is currently not asking the Ambarella chip to do all that it can, and that the Ambarella chip can be unleashed in a future upgrade.

Just remember that the A9 isn't just encoding for the microSD card, but also a separate stream for Lightbridge. That takes away some of the SoC's headroom for the H.264 encoding.

Part of the issue in terms of bit-rate is that it may be constrained by heat issues. There is a fan in the X5 to take away the heat generated by the CPU and ARM, but DJI may have had to throttle the chip to avoid excessive heat build-up in the camera.

Anyway, like you, I hope it can be improved, if possible.
 
If that's the case, then I would like to see a switch that lets me choose "100 mbits/s to SD with 15 FPS to Lightbridge" over the "60 mbits/s to Sd with 30 FPS to Lightbridge" that we have now.
 
Lynh Phan posted some photos on Facebook that show the guts of the X5 camera:

Facebook

This one shows the SoC (processor), which is marked "Ambarella A9-A1-RH".

The Ambarella Data Sheet for the A9 SoC doesn't mention bit rates, it but it does say:

On the H.264 Wikipedia page, BP is "Baseline Profile (66)", MP is "Main Profile (77)", and HiP is "High Profile (100)".

But it is the "Level 5.1" that has me hopeful. On the Wikipedia page again, under "Max video bit rate for video coding layer (VC) kbit/s", under level 5.1, it specifies 240,000 for BP and MP, and 300,000 for HP. That's 240 and 300 megabits/second, respectively.

And if we move down to Level 4.2, we find that the max bit rate for HP is 62,500 kbit/s, or about 60 megabits/second, which is what we are getting from the X5 right now.

So my hope is that the X5 camera is currently not asking the Ambarella chip to do all that it can, and that the Ambarella chip can be unleashed in a future upgrade.
It's the same processor that is in the gopro hero 4. In the hero 4 its running 60Mb/s so unless it's really future proofed I doubt it.
 
But as far as I can tell, the A9 chip is spec'ed for a much higher bit rate. The fact that two major customers use a lower bit rate is a clue, but not proof, that it is not capable of higher rates.

I remain hopeful.
 
But as far as I can tell, the A9 chip is spec'ed for a much higher bit rate. The fact that two major customers use a lower bit rate is a clue, but not proof, that it is not capable of higher rates.

I remain hopeful.

If the A9 were only writing one stream to SD, it could be higher than 60Mbps. But, given that it's outputting two streams, the one written to SD will not get far past 60Mbps. Maybe if DJI dropped the live preview down to 480p, they could write 65Mbps to the card like the GoPro does. But that's about it.
 
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Well, dual A9s is the only answer. Let's just put one in each arm.

In seriousness though, Ambarella has a newer chip called the H1, that was announced earlier this year. No spec sheet for it yet, though. Anyway, I'm curious if that would be a successor to the A9. 4Kp60 (in h.264) sounds like fun times.
 
Would be awesome if this is made into an update.

The only reason I haven't bought an X5 yet is the low bit rate.

Most productions I work on shoot in RAW. Though the Inspire 1 is great for quick master shots, trying to use it for longer jib/crane/dolly types of shots don't make the cut. The difference is quality shows when the Inspire 1 shot is played for too long.
 
There is a $3,300 price difference between the X5 camera and the X5R camera. That premium is for the raw video feature. There is plenty of room at the lower end to bump up the compressed-video bit rate.
 
There is a $3,300 price difference between the X5 camera and the X5R camera. That premium is for the raw video feature. There is plenty of room at the lower end to bump up the compressed-video bit rate.

Hoping and wishing won't make it so, however. ;)

I can't imagine that DJI would change the SoC to the H1 so soon after X5 release. It would require a whole new suite of software to optimize the chip for the MFT sensor and would require H.265 adaptation as well. Not saying it won't ever happen (X5s?) but not for quite awhile. In the meantime, we can only hope that there is some way that doesn't run into heat issues to bump the X5 bit-rate.
 
So here we in 2017 and I'm just wondering if the X5 might get a bitrate bump up to 100mbs? Is there a technical reason why not? The Phantom 4 Pro now out performs the X5 with its higher bitrate and H265 capability.

The images from the P4P are truly superb and I'm seriously considering purchasing one but were the X5 to get a substantial firmware upgrade I'd stick with my Inspire1.
 
So here we in 2017 and I'm just wondering if the X5 might get a bitrate bump up to 100mbs? Is there a technical reason why not? The Phantom 4 Pro now out performs the X5 with its higher bitrate and H265 capability.

The images from the P4P are truly superb and I'm seriously considering purchasing one but were the X5 to get a substantial firmware upgrade I'd stick with my Inspire1.
Very much a necro thread this one but no, the reasons are already given above that due to dual stream video the hardware limitations preclude the X5 getting that bump in BR.
In any case, purely from a marketing point of view, if it was even possible, why would DJI do it and potentially lose newer (I2 and associated cameras) hardware sales?
 
Well ain't that a shame.

So there's no future with the X5 - it's a dead duck. Plasticine trees are here to stay. Without upgrading to the X5R with it's uncompromising high bitrate the only way forward is to trade in or ebay the Inspire 1 X5 combo and invest in the new generation of far higher quality DJI units.

I've been in communication with Mike Bishop who has recently produced a Phantom 4 Pro film for DJI. I asked him how the X5 stacked up against the Phantom 4 Pro and he told me ' The Phantom 4 Pro beats the X5 hands down' and that when DJI sent him the P4P for the shoot they told him the same thing.

Here's the film he made for them:

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Well ain't that a shame.

So there's no future with the X5 - it's a dead duck. Plasticine trees are here to stay. Without upgrading to the X5R with it's uncompromising high bitrate the only way forward is to trade in or ebay the Inspire 1 X5 combo and invest in the new generation of far higher quality DJI units.

I've been in communication with Mike Bishop who has recently produced a Phantom 4 Pro film for DJI. I asked him how the X5 stacked up against the Phantom 4 Pro and he told me ' The Phantom 4 Pro beats the X5 hands down' and that when DJI sent him the P4P for the shoot they told him the same thing.

Here's the film he made for them:

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Of course DJI or anyone associated with them would say the P4P beats the X5 hands down because they want you to buy their new equipment! I did a still photo comparison test between a P4P and X5 with the standard lens. I printed photos out to A3 size. I then got 10 people to do a blind test not knowing which was which. 9/10 chose the X5 as being "slightly better" but it was very close. Obviously the P4P has a great camera but it does not have interchangeable lenses and the X5 sensor has almost 4 x the area of the P4P. Marketing hype and forum junkie repeat posters can sometimes influence what everyone believes.
 
A great filmmaker can make a great film with almost any means. Julia Margaret Cameron created great images from the simplest of cameras. Perhaps if we inspire 1 guys could afford the same budget to give to Tim bishop he would have created just as good a film if not better.
Personally I don't hold with the latest gadget at all costs crowd. It takes time to get to know any piece of kit, I learnt that one with drum machines. It took me two years to program one really well and by that time it was an old sound no one was using. If we all buy new stuff just because it's the latest thing we all might as well give up.
Learn your trade properly with reasonably good equipment.


Sent from my iPhone using InspirePilots
 
Well put Jonnyb333
The art is not about the best piece of equipment produces the best final result. It's the person with the knowledge that understands how to use what he or she has that produces results and believe me when I say I have seen better results with lesser valued equipment when used by someone who has taken the time to learn the craft.
 

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