duuuuuhh, thanks Brendan. Oh Lovely, 3 hours 40 minutes to export a 475gb SSD to a usb3 2.5" drive.
Time to go buy some 1TB offload SSDs.
Transferring almost full mag took about 35 min for me
duuuuuhh, thanks Brendan. Oh Lovely, 3 hours 40 minutes to export a 475gb SSD to a usb3 2.5" drive.
Time to go buy some 1TB offload SSDs.
Im using Premier Pro CC 2015.3 (just updated) and it now seems to load X5R files directly after using DJI Camera Exporter without the need to use SlimRAW (which I just purchased a few days ago). Just use Media Browser, click on file and drag into project, nice.
I have a simple question about the Adobe Premier Pro workflow.
I'm not sure if I'm doing right. I use the DJI Camera Exporter to export the RAW footage to my PC. It creates a directory with a lot of single RAW files inside.
When using Adobe Premier, I import the whole directory on "media import" and after that I paste it to my timeline. All individual frames are now shown there at the timeline (not like a movie file).
The odd thing is: the time of the footage is completely wrong. Instead of 30 seconds it'll show hours...
Am I doing it right? Is there a way to import the media as a video file (like an MP4)?
Regards.
Thanks! It worked perfectly!No, they really could make this easier.
In the Media Explorer view in PP, drill into a DNG sequence folder. Right click on the first DNG file and click Import.
Transferring almost full mag took about 35 min for me
It would seem that actually getting the files into Premiere is no longer a problem - individually! My current gripe is that I have a project with about 40-50 RAW clips that I want to import, and I can only import them individually. That's a SERIOUS pain in the ***. Has anyone found a way to bring them all in at once, like Resolve 12.5?
When I say dark, I mean almost black. The footage is fine in Cinelight and when opened as individual dng's in Photoshop
I have a vague recollection that somebody solved this problem by running the DNG files through SlimRaw.I am getting this near black issue in Premiere CC 2017. Same file looks great in ACR/After Effects. Anyone else?
I have a vague recollection that somebody solved this problem by running the DNG files through SlimRaw.
Damon Cooper is the one to ask about this.
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