Recent content by Krakozawr

Yes, you are totally right! Seems like the Input Color Space for CINEDNG doesn't affect the result in the color managed workflow, my bad, I missed this point. Thank you for the reminder :)

Do you have CineDNG footage exposed by the waveform in EI mode? Can you please check it in DaVinci 17 using the "color managed" science? - pick the "DaVinci Wide Gamut" preset - switch to "Custom" - set "Input Color Space" to DJI D-Gamut / DJI D-Log and output color space to Rec709 (scene) Will...

Which is returning us to my original explanations. Check waveform graphs for the same scene in normal mode and EI mode. In RI mode, the waveform is much more optimistic regarding your ability to overexpose. The actual RAW would be in core the same for the same expo pair but seems like EI give...

As far as I understand, when you are shooting CineDNG, EL mode affects only your visualization and scopes. But on the waveform, in EL mode you will see how much of space you will have at the top to prevent highlight clipping. So, you can "overexpose" your footage then bring it back in the post...

Hello! Is anyone tried OLYMPUS 12-50MM F/3.5-6.3 M.ZUIKO ED EZ? The weight is 220 gramm, is it too heaey to try?

Hello! What about Panasonic 12-32? https://www.lensauthority.com/products/panasonic-12-32mm-f-3-5-5-6-ois-for-micro-4-3